Barry's blog
Thoughts from behind the lens...
Biography
Read a brief biography at
O'Reilly Media Inc
Tips & techniques
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Photoshop CS4 Scaling
Adobe PhotoShop CS4 Content Aware Scaling
New to CS4, the content aware scale tool is for those tricky situations when you have a photo that is smaller than the space in which it has to fit on your web or printed page. It works by allowing you to stretch areas of the image which do not constitute the main subject.
The great thing is, it's so easy to use. Make sure the photo is not a background layer first. Add some canvas to the desired size.

Then go to Edit>Content-Aware scale

You can the drag the handles of the bounding box to size the image to fit. Of course there are limitations to the success of the final result. It wont work on all images. The best candidates are images with a fairly uniform background and well defined subject matter. But in the right situation it can save you a lot cloning and manual editing.

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Using Adobe Kuler Colour
Designing with Kuler
Kuler could revolutionise the way you approach a design project with regard to colour. In situations where you are faced with a blank canvas and low inspiration, Kuler offers you thousands of ready made colour themes that work straight out of your colour panel in PhotoShop and Illustrator.
With a live internet connection you can access the Kuler community from within PhotoShop, Illustrator, Flash, Fireworks and Indesign by going to the Window menu>Extensions>Kuler.
The Kuler panel now connects you to the full range of colour themes available from within your application. You can browse through the thousands of colour themes available, assuming you have time on your hands. A more practical approach is to use the search box to search either by a colour name or a conceptual word. For instance you might try, ocean or forest. Alternatively you could try an emotion such as happy. The search options are extensive, so if a word comes into your mind, give it a try. I have found colour themes under the most obscure of phrases.

The icons at the bottom of the panel allow you load your chosen theme into your own swatch panel as well as alowing you to edit the theme in the Create panel. Here you can tweak the colours to your hearts content and acces the RGB and hexadecimal values. If you feel particulalry creative you can also upload your own colour themes to the Kuler community and share your creation with the world.

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64 bit for PhotoShopCS4?
Does PhotoShop CS4 run better on Windows Vista 32 bit or 64 bit?
As the availability of 64 bit operating systems becomes more widespread, I am frequently asked by PhotoShop CS4 users if they should opt for a 64 bit operating system when specifying their new computer. The short answer is yes. However that needs a little qualification.
32-bit and 64-bit operating system differences
The key factor here is about how each system utilises RAM (memory). 32 bit systems have a narrower address system and data path, limiting the size of data pieces that can be manipulated. The maximum amount of RAM that can be utilised is 4GB (gigabytes).
64 bit systems are able to utilise an unlimited amount of RAM, thereby rendering them capable of being able to work with much larger data chunks.Do you need to do anything else besides getting a 64 bit operating system?
Because we are essentially talking about the ability of the system to utilise RAM, obviously investing in more RAM will ensure you get the best from the system. Installing 4GB or more means the system can actually use the RAM, unlike it’s 32 bit counterpart.What differences can you expect to see?
When using a Windows Vista 64 bit operating system, Photoshop CS4 Extended is native 64 bit. Adobe have quoted performance improvements of up to 12%. In practice, this means less waiting for processes to be completed, particularly when working with high resolution, multi-layered files.Other considerations
What about MAC users?
On Windows Vista 64 bit, make sure you are using hardware drivers for the 64 bit version.
The same applies, but you need to be running OS Leopard, which is 64 bit capable. -
Web writing tips
How to make your text on the Web scannable
If you talk to anyone who knows how to encourage your web users to read your copy, they will tell you to make your text scannable.
But what does that actually mean?
So how do you make text scannable?
The culture of the Web has developed into a model where many people see it as a place where they do research and capture information from as many sources as possible in the shortest possible time.
The Web is like a huge box of chocolates with every conceivable flavour in the box. To avoid missing out on something good, we have to have a bite out of each one.
So there is an urgency to the Web reader. Quite distinct from the same reader when they sit in their favourite chair and lose themselves in a novel.
Here’s the harsh, abridged answer.
- Havle the word count.
- Get rid of the superlatives
- Bin the sales hype
- Drop the jargon – it only alienates
- I know we love them, but save the corporate buzz words for the annual meeting
- Highlight key words.
- Use hypertext links, variations of typeface and colours to make them leap out
- Write meaningful headings and sub headings
- This means leave the puns to the tabloids. Your headings must be unambiguous. Don’t leave readers to try to analyse and work out what the article is about
- Use bullet lists
- Simple, but timeless and practical
- Use short paragraphs, featuring One topic
- Use the inverted pyramid style
- Journalists have used this method since time began. It means you start with the conclusion and fill in the surrounding detail later
For everything you need to know about writing for a Web audience, have a look at the One day course on writing for the Web on the training page.
Learning centre
Learn the essentials of lighting and colour for graphics software and photography in this free online resource
introduction
Barry Huggins is a professional writer, photographer and trainer in multimedia software, photography and Web Design principles. He trains many of the UK's top media companies and international Blue chip corporations. See client list.
With 12 years experience of training and consultancy, Barry is ranked among the top teaching professionals in the UK by a loyal international client base who place all their training needs in his hands.
His style of teaching, developed over a number of years has helped many individuals and corporations to develop a confident approach to the marriage of art and technology and inspired them to unearth their own creative potential.
Barry is also the author of 7 internationally successful books which have now been translated into French, German, Spanish, Russian, Czech, Latvian and Chinese (simplified and complex). His style of teaching is reflected in his writing, resulting in his books being used by colleges and universities as part of the course curriculun in the UK and USA.
Within this site you can see examples of Barry's work, both photographic and book work and also book a training course with him directly.
- BBC
- NATO
- Vogue Magazine
- Saatchi & Saatchi
- Discovery Channel
- Reuters
- National Geographic
- The Economist
- Abbot Mead Vickers
- Financial Times
- Yahoo.com
- IBM
- Yell.com
- Greenwich Maritime Museum
- National Gallery
- Deutsche Bank
- The Guardian
- News International
- Van Cleef & Arpels
- Tate Gallery
- Emap
- Paribas Bank
- Selfridges
…….thoughts from behind the lens….
Underwater Photography.....And why not?
Why should anyone want to take a camera underwater? We spend our lives feverishly protecting our valuable cameras from getting wet, so the notion of actually immersing it in the ocean seems insane. But underwater photography has become more accessible than ever, not to mention how cool it looks wearing all the gear (but that's not why we do it, is it).
So why would you want to photograph underwater? It really depends on where you intend to do it. If you are doing it in my part of the world, around the coastal seas of Britain, there may seem little point. The waters for the most part are dark, murky, cold and not exactly teeming with interesting species(I know there are those who will disagree me here). However, if you are heading to somewhere like the Maldive Islands, you will understand the desire to get your camera below the waves. Taking a photograph here will leave you wondering if the 16.7 million colours of your computer monitor will be enough to display the full range of colours filling your lens.
My own foray into underwater photography some years ago was a mixed experience. I wanted a Nikonos V. This was serious underwater equipment. Its forerunner was featured in the early 1960’s James Bond movies with Sean Connery, when the thought of a still camera underwater was high tech Bond fantasy.
Years later, when I was in the market for one, the camera had evolved to version Five, but buying the new Nikonos V was like buying a house. In fact in some parts of the country, it was cheaper to buy a house. So I bought a more modest underwater camera by Sea & Sea Marine.
Its inaugural flight was in the Greek Islands, a European haven of crystal clear blue water and enough sea life at reasonable depths. In Three days I fired off around 300 exposures and couldn’t wait to get home to see the results. Out of the 300, I managed to be pleased with around about, er, One. And that's one that I took while still in the boat. So I had 299 images of fish tails, tiny specks that were actually fish, but no one could tell and lots of images of blue water with no fish in it.
I have still kept those images to teach me that life is a learning process and we never stop learning.
Subsequent trips were more successful. Grenada in the Caribbean presented me with even clearer and bluer water and fish the size of a small English county. But the real gem is the Maldives. By the time I discovered the Maldives as a diving location I had dispensed with the still underwater photography and moved into video. This was much more fun. Just switch on the camera and point. You couldn’t miss. Sharks and manta rays, octopus and barracuda and thousands of species who just seemed overdressed for the sea. All of them either eating each other or trying not to be eaten. It was true reality TV, but without the prima donnas.
So if you are looking for new inspiration in your photography, and aren't worried about being in debt for the rest of your life in order to pay for the kit, you could always head underwater. And if the results are less than promising you still come home with a suntan and some new tropical cocktail recipes to distract your friends attention from the abysmal photos.
Until the next time……….