Barry's blog

 

Thoughts from behind the lens...

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Biography

Read a brief biography at
O'Reilly Media Inc

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Tips & techniques

Learning centre

Learn the essentials of lighting and colour for graphics software and photography in this free online resource

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introduction

 

Barry Huggins is a professional writer, photographer and trainer in multimedia software, photography and Web Design principles. He trains many of the UK's top media companies and international Blue chip corporations. See client list.

With 12 years experience of training and consultancy, Barry is ranked among the top teaching professionals in the UK by a loyal international client base who place all their training needs in his hands.

His style of teaching, developed over a number of years has helped many individuals and corporations to develop a confident approach to the marriage of art and technology and inspired them to unearth their own creative potential.

Barry is also the author of 7 internationally successful books which have now been translated into French, German, Spanish, Russian, Czech, Latvian and Chinese (simplified and complex). His style of teaching is reflected in his writing, resulting in his books being used by colleges and universities as part of the course curriculun in the UK and USA.

Within this site you can see examples of Barry's work, both photographic and book work and also book a training course with him directly.

Just a few of the clients I train
  • BBC
  • NATO
  • Vogue Magazine
  • Saatchi & Saatchi
  • Discovery Channel
  • Reuters
  • National Geographic
  • The Economist
  • Abbot Mead Vickers
  • Financial Times
  • Yahoo.com
  • IBM
  • Yell.com
  • Greenwich Maritime Museum
  • National Gallery
  • Deutsche Bank
  • The Guardian
  • News International
  • Van Cleef & Arpels
  • Tate Gallery
  • Emap
  • Paribas Bank
  • Selfridges

…….thoughts from behind the lens….

Underwater Photography.....And why not?

Why should anyone want to take a camera underwater? We spend our lives feverishly protecting our valuable cameras from getting wet, so the notion of actually immersing it in the ocean seems insane. But underwater photography has become more accessible than ever, not to mention how cool it looks wearing all the gear (but that's not why we do it, is it).

So why would you want to photograph underwater? It really depends on where you intend to do it. If you are doing it in my part of the world, around the coastal seas of Britain, there may seem little point. The waters for the most part are dark, murky, cold and not exactly teeming with interesting species(I know there are those who will disagree me here). However, if you are heading to somewhere like the Maldive Islands, you will understand the desire to get your camera below the waves. Taking a photograph here will leave you wondering if the 16.7 million colours of your computer monitor will be enough to display the full range of colours filling your lens.

My own foray into underwater photography some years ago was a mixed experience. I wanted a Nikonos V. This was serious underwater equipment. Its forerunner was featured in the early 1960’s James Bond movies with Sean Connery, when the thought of a still camera underwater was high tech Bond fantasy.

Years later, when I was in the market for one, the camera had evolved to version Five, but buying the new Nikonos V was like buying a house. In fact in some parts of the country, it was cheaper to buy a house. So I bought a more modest underwater camera by Sea & Sea Marine.

Its inaugural flight was in the Greek Islands, a European haven of crystal clear blue water and enough sea life at reasonable depths. In Three days I fired off around 300 exposures and couldn’t wait to get home to see the results. Out of the 300, I managed to be pleased with around about, er, One. And that's one that I took while still in the boat. So I had 299 images of fish tails, tiny specks that were actually fish, but no one could tell and lots of images of blue water with no fish in it.

I have still kept those images to teach me that life is a learning process and we never stop learning.

Subsequent trips were more successful. Grenada in the Caribbean presented me with even clearer and bluer water and fish the size of a small English county. But the real gem is the Maldives. By the time I discovered the Maldives as a diving location I had dispensed with the still underwater photography and moved into video. This was much more fun. Just switch on the camera and point. You couldn’t miss. Sharks and manta rays, octopus and barracuda and thousands of species who just seemed overdressed for the sea. All of them either eating each other or trying not to be eaten. It was true reality TV, but without the prima donnas.

So if you are looking for new inspiration in your photography, and aren't worried about being in debt for the rest of your life in order to pay for the kit, you could always head underwater. And if the results are less than promising you still come home with a suntan and some new tropical cocktail recipes to distract your friends attention from the abysmal photos.
Until the next time……….